Dock Street
Brewing Company is a well respected Philadelphia-based brewery and
brewpub. This offering is inspired by
the AMC show “The Walking Dead.”
Inspired by, not literally affiliated with it—I don’t think Andrew
Lincoln harvested the hops or anything (although his character might have,
during the “Farmer Rick” period in the prison in Season 4). The reason it qualifies for my blog (and
honestly, it’s a bit of a stretch) is its zombie theme, and that it contains
actual roasted goat brains.
I had misgivings right off the bat, as stouts
are not a beer type I normally enjoy.
And in some ways this foreboding was confirmed—I didn’t love it. However, evidently I like American pale
stouts better than the other subtypes, as I didn’t hate it, either. I rate it about a C-. It was slightly short of average, but far
from a drain pour. The goat brains were
supposed to give it a smoky flavor. I
was hoping for a rauch bier-ish result (see June 25th, 2012 post), but alas, I didn’t taste
anything like that. Nor did I detect
much of the cranberry flavor. It seemed
like a lighter version of a stout. It
did, though, hide its alcohol content (7.2%) well. So, all in all, I don’t think I’ll have this
again, but to those who like stouts, and/or want an atypical beer with a fun
label (there’s a zombie on it, of course), it might be a good purchase. It probably will be a little pricey, and hard
to get, though.
To flesh this
post out a little, I thought I’d repost one about zombie movies. This is one of my first blog posts ever, back
from February 2012. It didn’t appear on
this blog, but on my publisher’s blog (www.musapublishing.com).
As always, feel free to chime in with
your own choices, criticisms, etc.
Top Ten Zombies Movies
Since my book (“Dead
Reckoning” due out February 17th) is about the tragedy that unfolds
when a cast and crew filming a low-budget zombie movie meet a group of Luddite
campers, I thought it would be appropriate to discuss my Top Ten zombie
movies. To a zombie geek such as myself,
whittling the vast number of films I love down to just ten was rather
agonizing. I made an effort to include
the major types—a couple of George Romero’s movies (of course), a few Italian
opuses (opii?), and a few intentionally funny/satiric films. Just missing the cut were “Day of the Dead,”
“Zombie Holocaust” (AKA “Dr. Butcher, M.D.”), “Let Sleeping Corpses Lie” (AKA
“Breakfast at the Manchester Morgue”), “Dellamorte Dellamore” (AKA “Cemetery
Man”), and “Prince of Darkness,” among others.
Movies listed in order of release.
1) “Night
of the Living Dead” (1968) Directed by George Romero. The Granddaddy of the
zombies-are-flesh-eaters theme. Also
originator of the idea that every dead body becomes your enemy (with rare
exceptions). Before this movie, zombies
were basically fleshy robots, controlled by others, usually in small numbers,
and therefore, not as dangerous and frightening. NOTLD changed this forever, and created
zombies as a new horror archetype. Its
unflinching violence and pitch black tone also were innovative at the
time. Truly, this could be said to be
the “Citizen Kane” of zombie movies, in that it affected this subgenre and the
whole genre of horror profoundly. It’s
never been the same since.
2) “Dawn
of the Dead” (1978) Directed by George
Romero. Continues and tops the elements
from NOTLD. The hordes of the dead are
expanding, and are threatening society.
Romero’s social satire (present in all of his movies, but most
noticeable here) is a statement about how consumer culture in the form of
shopping malls makes mindless drones of us all.
Very entertaining, with likable characters, good action, and incredible,
gruesome gore.
3) “Zombie”
(1979) Directed by Lucio Fulci. Fulci’s tour de force about zombies running
amok on a tiny Caribbean island. Nasty, sweaty, and disturbing, yet oh so fun
at the same time. Includes two unforgettable
scenes—one a horrifically painful and graphic death from a splinter of wood,
the second a fight between a living corpse and a shark (!) And the latter is real, not CGI.
4) “Burial
Ground” (AKA “The Nights of Terror”) (1981) Directed by Andrea Bianchi. Another “spaghetti dead” offering, with all
the typical elements of that—poor acting, ludicrous storyline, gratuitous
nudity and gore, sleaziness of every kind.
To paraphrase John Waters, it’s indefensible, and therefore awesome. You’ll probably feel the need to take a
shower afterwards. Also notable for the
industriousness of the zombies—they show use of tools, and have problem-solving
capabilities.
5) “The
Beyond” (1981) Directed by Lucio Fulci.
More Fulci, with all his trademark extreme violence and gore. A woman
discovers that the Louisiana
hotel she’s inherited is over one of the doors to Hell. The whole film has a
dreamlike quality, or more properly, a nightmarish quality.
6) “Dead
and Buried” (1981) Directed by Gary Sherman.
A series of bizarre murders in a quaint New England
coastal town bedevils the local sheriff.
Especially when the victims later seem to reappear. Boasts an effective plot and good acting,
along with spectacular special effects.
Oddly poignant, too.
7) “Return
of the Living Dead” (1985) Directed by
Dan O’Bannon. Clearly meant as a satire
of zombie movies (and does an excellent job at this) but also tense and
frightening. The dead are a revelation,
too--smarter and nearly indestructible.
Originated the fast zombie idea over fifteen years before the zombie-ish
folks of “28 Days Later.”
8) “Re-Animator”
(1985) Directed by Stuart Gordon. Loose (in every sense of the word) adaptation
of the H. P. Lovecraft story, where university med students learn how to raise
the dead, with devastating (yet often humorous) consequences. Delightfully graphic in every way.
9) “Braindead”
(AKA “Dead-Alive”) (1992) Directed by Peter Jackson. Before “Lord of the Rings” Peter Jackson put
out low-budget, often gleefully gross yet imaginative fare like this. Completely over the top in all ways—there’s
gallons of blood, a zombie baby, ghoul on ghoul sex, reanimated intestines (!),
and disturbing Oedipal events. Despite
all of these things (or because of them?) it’s also a sweet love story, and
very (intentionally) funny. Beware the
Sumatran Rat Monkey!
10) “Shaun of the Dead” (2004) Directed by Edgar Wright. Another zombie satire, and one of the
best. The dead return to life in England ,
menacing a slacker and his circle of friends.
More of a comedy than horror movie, but has some intense moments.
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